In 1818 Mary Shelley published her infamous novel, “Frankenstein; or, The Modern Prometheus”. More than just a work of gothic fiction, it represented a host of fears and concerns that the public held after viewing experiments by the natural philosophers of the day. In the same year, in a lecture theatre in Glasgow, the dissection and supposed resurrection of an executed criminal took place. As electrodes were placed on the body, it jumped and danced, its fingers moved “nimbly, like those of a violin player,” all for the amazement of the excited audience members. It was the dawn of electricity and a period of wild experimentation in an age of divisive and dangerous theories.